Communion (1989) - Whitley Strieber’s Abduction Experience on Film

Film Overview and Source Material

The 1989 film “Communion,” directed by Philippe Mora and starring Christopher Walken, represents one of cinema’s most ambitious attempts to bring a real-world alien abduction account to the screen. Based on Whitley Strieber’s controversial 1987 bestselling book of the same name, the film chronicles Strieber’s claimed encounters with non-human entities and his struggle to understand experiences that challenged his understanding of reality.

Unlike fictional alien encounter films, “Communion” carries the weight of being presented as a true story, making it one of the few mainstream Hollywood productions to seriously engage with actual abduction testimony. The film’s approach to depicting Strieber’s experiences reflects the complex challenge of translating subjective, consciousness-altering encounters into visual narrative while maintaining both dramatic integrity and respect for the experiencer’s claims.

The movie’s impact extended beyond entertainment, influencing public perception of alien abduction phenomena and contributing to broader cultural discussions about the nature of consciousness, reality, and humanity’s potential contact with non-human intelligence. Its unsettling imagery and psychological approach established new standards for how abduction experiences could be portrayed in media.

Christopher Walken’s Transformative Performance

Psychological Authenticity and Vulnerability

Christopher Walken’s portrayal of Whitley Strieber stands as one of cinema’s most psychologically complex depictions of an abduction experiencer. Walken brings his characteristic intensity to the role while displaying remarkable vulnerability, showing a successful writer whose comfortable worldview is shattered by encounters he cannot explain or control.

The performance captures the essential paradox of the abduction experience - the conflict between rational skepticism and undeniable subjective reality. Walken portrays Strieber’s journey from confident intellectual to confused and frightened individual struggling to maintain sanity while processing impossible experiences.

Evolution Through Trauma and Acceptance

The film traces Strieber’s evolution from initial terror and denial through grudging acceptance and eventual integration of his experiences. Walken’s performance shows this transformation as a gradual process marked by psychological breakdown, desperate attempts at rational explanation, and finally a form of peace with the inexplicable.

This character arc reflects common patterns reported in real abduction accounts, where initial trauma gives way to various forms of accommodation and integration. The film’s portrayal of this process provides insight into how consciousness adapts to paradigm-shattering experiences.

Visual Representation of Alien Entities

The “Visitors” Design and Impact

“Communion” introduced one of cinema’s most iconic alien designs with its portrayal of the “visitors” - tall, thin beings with large dark eyes and distinctly non-human features. These creatures became archetypal representations of alien entities in popular culture, influencing countless subsequent portrayals in film, television, and art.

The design work, created by special effects artist Rick Baker, attempted to visualize Strieber’s descriptions while creating beings that were clearly non-human yet possessed an unsettling familiarity. The visitors’ appearance suggests intelligence and awareness while remaining fundamentally alien and unpredictable.

Psychological Horror Through Design

The film’s approach to showing the visitors emphasizes psychological horror over science fiction spectacle. The entities are presented as genuinely alien - their motivations remain unclear, their technology incomprehensible, and their interactions with Strieber follow no recognizable human social patterns.

This design philosophy creates an atmosphere of genuine otherworldliness that supports the film’s themes about contact with intelligence so different from human consciousness that meaningful communication becomes nearly impossible.

Exploration of Consciousness and Reality

Altered States and Perception

“Communion” delves deeply into questions about the nature of consciousness and perception, presenting Strieber’s experiences as potentially occurring in altered states that blur the boundaries between objective and subjective reality. The film suggests that the encounters might exist in liminal spaces between waking and sleeping consciousness.

This approach reflects serious discussions within UFO research about the role of consciousness in anomalous experiences and whether traditional concepts of objective reality are adequate for understanding all forms of encounter phenomena.

Memory and Trauma

The movie explores how traumatic experiences affect memory formation and retrieval, showing Strieber’s gradual recovery of encounter memories through various means including regression therapy. This portrayal reflects real controversies about recovered memory and the reliability of abduction accounts.

The film presents memory as potentially malleable and subjective while still treating Strieber’s experiences as meaningful and transformative, navigating the complex territory between psychological and physical interpretations of abduction phenomena.

Family Dynamics and Social Impact

Impact on Relationships

“Communion” effectively portrays how anomalous experiences can strain family relationships and social connections. Strieber’s wife Anne (Lindsay Crouse) struggles to support her husband while dealing with her own doubts and fears about his mental state and the implications of his claims.

The film shows how abduction experiences can isolate experiencers from their normal support networks, as the bizarre nature of the claims challenges the ability of friends and family to provide understanding and acceptance.

Professional and Social Consequences

The movie addresses the professional risks faced by individuals who publicly discuss abduction experiences. As a successful writer, Strieber must balance his need to process and share his experiences with the potential damage to his career and reputation.

This aspect of the film reflects real-world challenges faced by abduction experiencers, particularly those in professional positions who fear ridicule, career damage, or mental health stigma if they discuss their experiences openly.

Therapeutic and Integration Themes

Psychological Treatment Approaches

“Communion” depicts various attempts to understand and treat Strieber’s experiences through conventional psychological frameworks. The film shows therapy sessions, medical examinations, and attempts to find rational explanations for the encounters.

These scenes illustrate the limitations of traditional therapeutic approaches when dealing with experiences that don’t fit conventional categories of psychological or physical phenomena, while also showing the importance of supportive professional relationships in processing traumatic experiences.

Integration and Acceptance

The film’s resolution involves Strieber reaching a form of integration with his experiences, neither fully explaining them nor dismissing them, but accepting them as part of his reality. This portrayal reflects common patterns in real abduction accounts where experiencers learn to live with unexplained encounters.

The movie suggests that integration might be more important than explanation, emphasizing psychological adaptation over definitive answers about the nature of the experiences.

Cultural Impact and Reception

Mainstream Introduction to Abduction Phenomena

“Communion” served as many viewers’ first serious introduction to alien abduction accounts, bringing Strieber’s experiences to mainstream audiences in a way that treated the claims with respect rather than ridicule. The film helped establish abduction phenomena as a legitimate subject for cultural discussion.

The movie’s respectful treatment of Strieber’s account influenced how subsequent films and television shows approached abduction narratives, establishing precedents for portraying experiencers as credible individuals rather than obvious fantasists or attention-seekers.

Critical and Public Reception

The film received mixed reviews from critics, with some praising Walken’s performance and the movie’s psychological depth while others criticized its pacing and ambiguous approach to the reality of the experiences. Public reception was similarly divided, reflecting broader cultural divisions about the credibility of abduction accounts.

These mixed reactions highlighted the challenge of adapting controversial real-world claims for mainstream entertainment while maintaining respect for the experiencer and serious engagement with the phenomena.

Influence on UFO Culture and Media

Visual Legacy

The film’s iconic imagery, particularly the design of the visitors, became embedded in UFO culture and influenced popular conceptions of alien entities. The distinctive appearance of Communion’s aliens appeared in countless subsequent works and became archetypal representations of extraterrestrial beings.

This visual influence extended beyond entertainment to affect how people reported and described their own UFO encounters, demonstrating the recursive relationship between media representations and witness accounts.

Serious Treatment Precedent

“Communion” established important precedents for how mainstream media could approach UFO and abduction topics with seriousness and respect rather than ridicule or sensationalism. The film showed that such subjects could be treated as legitimate psychological and philosophical explorations.

This influence contributed to gradually changing attitudes toward UFO phenomena in mainstream media, opening space for more respectful and nuanced portrayals in subsequent films and television programs.

Psychological and Philosophical Implications

Nature of Reality and Experience

The film raises fundamental questions about the nature of reality and the reliability of subjective experience. By presenting Strieber’s encounters without definitive resolution about their objective reality, the movie invites viewers to consider how we determine what is real and meaningful.

These philosophical questions have relevance beyond UFO phenomena, touching on broader issues about consciousness, perception, and how we validate unusual experiences that don’t fit conventional frameworks.

Transformation Through Anomalous Experience

“Communion” portrays contact with non-human intelligence as fundamentally transformative, changing not just Strieber’s beliefs but his entire relationship to reality. This transformation is presented as both traumatic and potentially growth-inducing.

This portrayal reflects common themes in real abduction accounts and broader anomalous experience literature, where encounters with the unknown often catalyze profound psychological and spiritual changes in experiencers.

Contemporary Relevance

Current UFO Disclosure Context

In an era of increasing government acknowledgment of UFO phenomena, “Communion” remains relevant for its serious treatment of contact experiences and their psychological implications. The film’s emphasis on consciousness and subjective reality offers perspectives that complement current scientific approaches to UFO research.

The movie’s portrayal of the challenges faced by experiencers resonates with contemporary discussions about how society should respond to individuals reporting anomalous encounters.

Mental Health and Anomalous Experience

“Communion” continues to be relevant for discussions about the intersection of mental health and anomalous experiences. The film’s nuanced portrayal of Strieber’s psychological journey offers insights into how traumatic anomalous experiences can be processed and integrated.

The movie’s approach to these issues provides a model for respectful engagement with unusual experiences that avoids both uncritical acceptance and dismissive skepticism.

Technical and Artistic Achievement

Direction and Cinematography

Philippe Mora’s direction creates an atmosphere of psychological unease and otherworldly intrusion into ordinary life. The cinematography supports the film’s themes through careful use of lighting, composition, and pacing that mirrors the disorienting nature of Strieber’s experiences.

The visual style emphasizes the contrast between normal family life and the alien encounters, using familiar domestic settings to make the extraordinary intrusions more unsettling and believable.

Special Effects and Practical Work

The film’s special effects, while dated by contemporary standards, were effective in creating otherworldly encounters that felt genuinely alien rather than simply technologically advanced. The practical effects work emphasized the physical reality of the encounters while maintaining their mysterious nature.

The restraint shown in depicting the aliens and their technology serves the film’s psychological focus, suggesting that the significance of the encounters lies more in their impact on consciousness than in spectacular displays of alien capabilities.

Legacy and Continuing Influence

“Communion” remains a unique achievement in UFO cinema for its serious, respectful adaptation of a real-world abduction account. The film’s influence extends beyond entertainment to ongoing discussions about consciousness, anomalous experience, and humanity’s potential contact with non-human intelligence.

The movie’s approach to depicting abduction experiences - emphasizing psychological realism, family impact, and consciousness alteration over science fiction spectacle - established important precedents for how such phenomena could be portrayed in mainstream media. Its visual designs became iconic representations of alien entities in popular culture.

As society continues grappling with increasing reports of UFO phenomena and growing government acknowledgment of unidentified aerial objects, “Communion” provides a thoughtful exploration of how contact experiences might impact individual consciousness and social relationships. The film’s emphasis on psychological adaptation and integration offers insights that remain relevant for understanding how humanity might respond to confirmed contact with non-human intelligence.

The lasting impact of “Communion” lies in its demonstration that UFO and abduction phenomena can be treated as serious subjects for psychological and philosophical exploration, deserving of respectful consideration rather than automatic ridicule or dismissal. Its influence continues in contemporary discussions about anomalous experiences and their implications for understanding consciousness and reality.